Working Class Demon

Download mp3 from ifolder or multiupload


myspace + official

The Kilimanjaro Darkjazz Ensemble (TKDE) formed in 2000 as a project to compose new music for existing silent movies. Jason Köhnen (aka Bong-Ra) and Gideon Kiers, both graduates of the Utrecht School of Arts, combined their audio and visual skills to reinterpret classic movies by F.W. Murnau (Nosferatu) and F. Langs (Metropolis).
In 2004 UK trombonist Hilary Jeffery and Swiss cellist Nina Hitz joined TKDE to record the self-titled debut album which was released on Planet Mu Records in May 2006. The ensuing tour saw Eelco Bosman and Paris based vocalist Charlotte Cegarra join, forming the Ensemble into a sextet. London based violinist Sadie Anderson joined in 2008 to supply the group with extra power on stage.
The Netherlands has been TKDE’s homebase since 2007, while members have moved closer to each other to make composing and producing easier.
Apart from the mothership which is TKDE, there is another entity; The Mount Fuji Doomjazz Corporation is a live improv jazz / drone / doom side project consisting of TKDE members and a host of interchanging guest musicians.
Due to the vast possibilities within the band, the sound spectrum of TKDE is hard to capture within one specific composition. Moreover, the project will lean towards various styles depending on the respective members working together at a given time. A good mix between atmosphere and technique is always the strong basis for a TKDE composition.
Live TKDE fuse analog and digital as much as possible. Combining traditional instrumentations (comprising cello, trombone, violin, beats, guitar, bass and vocals) with existing and/or self-developed software, continuously blending and mutating, creating an organic and electronic performance, supported by visuals which add to and interact with the frequencies of said instruments.

Future Jazz/Dark Jazz/Experimental/Ambient

Dark Metal

lame 3.93.1 Stereo 320 kb/s

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MySpace

Throes of Dawn is a metal band from Helsinki, Finland, formed back in 1994 in the city of Vaasa by Henri Koivula (vocals) and Jani Heinola (synth). Throes of Dawn’s music could be described as emotional dark metal with a progressive touch. Their sound is built on the combination of synths and guitars with screaming vocals and clean vocals. The lyrical concept of Throes of Dawn is often poetic and it deals with the deeper and darker aspects of the human psyche; like solitude, broken dreams and despair.

Progressive Dark Metal

CBR@320 (Enc. by xtavras)

Links:
ifolder || Rapidshare

Pass: xt@vr@s


official + myspace + last.fm

Bohren & der Club of Gore are a noir jazz band founded in 1992 in Mülheim an der Ruhr, Germany by Thorsten Benning (drums), Morten Gass (keys), Reiner Henseleit (guitar), and Robin Rodenberg (upright / double bass). They play a crossover of jazz and ambient, which they self described as an “unholy ambient mixture of slow jazz ballads, Black Sabbath doom and down tuned Autopsy sounds”. Over the years they have continously reduced and compressed their music to extremes.
Originally, the members of Bohren, who were school friends, started out playing in various hardcore bands such as 7 Inch Boots and Chronical Diarrhoea in 1988. Driven by the idea of a more unique style of music, they formed Bohren (German word for drilling) in 1992 to play, as they called it, „doom ridden jazz music“. In 1993 the band released a 7“ep for Suggestion Records. 1993 also saw the band expand their name to Bohren & der Club of Gore, as a link to the Dutch instrumental band Gore, which inspired Bohren to play instrumental music. 1994 followed the longplayers Gore Motel and the double set Midnight Radio (1995), both on Epistrophy Records, where Bohren introduced its musical vision between slow jazz- ballads and doom-guitars.
Henseleit left the band in 1996 and was replaced by Christoph Clöser, a Cologne-based composer and musician in 1997, replacing the guitar with a saxophone at the same time.

Dark/Doom/Funeral Jazz / Ambient


Dale Cooper Quartet and The Dicataphones – Parole de Navarre
2006
@320 kbps (lame 3.93.1, q=0, stereo, enc. by Doost)

Dale Cooper Quartet & The Dictaphones are the quartet made of musicians covering a wide variety of musical styles (they are former members of Tank, Osaka, TF and ex-groove combo Loupous) creates a music that mixes electronic (samples, cuts, sound treatments) and acoustic (guitars, saxophone, trumpet). They play moody ballads that sounds as if they come out from one of David Lynch’s movies. Like in the Hollywood master of bizarre’s pieces, there is something like a dark and poisonous colour broken by red thunderlights and blue cigarette smoke. The music spawned some odd characters and landscapes while the listener makes out some more friendly faces that loom up out of this nowhere place: the voice of Zalie Bellaccico, Milanese streets sounds, a lazy flute, some distant breathing swim on the surface of this deep troubled waters. “Parole de Navarre” is an invitation for opening the red curtain of this Dark Jazz cabaret made of shimmering and whirling walls.

iFolder: part1, part2
RapidShare: part1, part2

Dark Jazz / Ambient

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